Better half to American Gothic encompasses a selection of unique essays that discover America's gothic literary culture.
The greatest selection of essays within the box of yankee Gothic.
Contributions from a large choice of students from round the world.
The such a lot whole assurance of concept, significant authors, pop culture and non-print media on hand.
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Extra resources for A Companion to American Gothic
The Castle of Otranto (1764– 1765). Ed. S. J. Clery. Oxford: Oxford University Press. Wilson, E. (1950). Classics and Commercials: A Literary Chronicle of the Forties. New York: Farrar, Straus. M. (1994). Engendering Romance: Woman Writers and the Hawthorne Tradition, 1850–1990. New Haven: Yale University Press. A postfeminist examination of how female authors have adapted the American Gothic romance in ways that both question and continue the assumptions of the male authors who wrote in that tradition earlier.
The Masochistic Pleasures of Sentimental Literature. Princeton: Princeton University Press. A. (1982). American Gothic: Imagination and Reason in Nineteenth-Century Fiction. Lexington: University Press of Kentucky. C. (1982). Through the Custom-House: Nineteenth-Century American Fiction and Modern Theory. Baltimore: Johns Hopkins University Press. K. (1980). The Coherence of Gothic Conventions (1976). New York: Arno Press. Sonser, A. (2001). A Passion for Consumption: The Gothic Novel in America.
A Passion for Consumption: The Gothic Novel in America. Bowling Green, OH: Bowling Green University Popular Press. R. (1973). Poe’s Fiction: Romantic Irony in the Gothic Tales. Madison: University of Wisconsin Press. Walpole, H. (1996). The Castle of Otranto (1764– 1765). Ed. S. J. Clery. Oxford: Oxford University Press. Wilson, E. (1950). Classics and Commercials: A Literary Chronicle of the Forties. New York: Farrar, Straus. M. (1994). Engendering Romance: Woman Writers and the Hawthorne Tradition, 1850–1990.